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My, how things change.
Of all the stuff you probably have racked up, how much of it do you actually consistently use?
Because I have a console to hold my picks, screwdrivers and various crap.
And an enormous 4 bay 36 space wall that I only use 40% of.
Max.
If I would recap my console, a dumpy old soundcraft, and it was reallllly punchy and clean, I would be using it as a front end and to monitor through.. maybe mix through? It would be fun, but nope on the recall. Just like me, a fucking goldfish.
..that now administrate a fancy forum in the middle of nowhere..
I MAY NEVER RECAP IT.
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Actually … after the rack gear over the years being used less and less during the covid years it made it re-apearance to the point that it is currently back in full on use … all of it. Pre’s comps eq’s fx …
Mostly revitalised and started by the new generation going ‘hey dad can I blah such and such …’
Did the journey from all outboard to all plugins to hybrid to hybrid with 1 or 2 key pieces of outboard only back to now full hybrid with a preference to a lot of the rack gear.
And no …. Not because it is better ! Definitely not. Different at best. I do firmly believe that in the box can be as good.
But man I do like turning the knobs on some of that rack gear
Chris
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I don't do a whole lot of studio stuff these days (I've switched careers to fixing audio gear) but when I do...
For tracking, not a lot, generally a few outboard comps.
For mixing though I often patch heaps of stuff in. And then I'll often go grab guitar pedals and stuff like that on top of the outboard. In some cases it's because I don't have a plugin that does what I need in that minute, but I think often it's more of a way to break the monotony of the screen rather than a quest for sonic perfection.
It's like the tape rewinding thing- it gives you a minute to breathe/think/talk/etc.
Taking 5 minutes to patch in an outboard reverb and play with settings can be a great reset when your ticker can't take yet another cup of coffee to wake yourself up, whereas launching another reverb plugin just feels mechanical sometimes.
Plus, having limited units and/or controls can stop you going up your own ass and overthinking the way you can with plugins.
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Well I recently got a Neve 8816 and used it on a client mix today. That’s its first use. I’m trying to keep a modest amount of pretty good analog gear to go along with the ITB stuff and I imagine I’ll be hybrid for some time. Todays signal path out of the DAW was -
Metric Halo ULN8s sending out groups
Neve 8816 summing
Smart C1 bus compressor
Arsenal Audio Eq
Into a Silver Bullet tone box
Instant glue and width, sounded great, got there quickly. Probably more quickly than I would have if ITB only.
So my answer to the OP is that I’ve picked up just a little more outboard and plan on being hybrid and using outboard for the foreseeable future. With my studio being small and private I can make it just right for me, and therefore I really use the stuff I have. Anything I’m not using has to go - I don’t have the space or money for anything I’m not using. I was far more ITB for a stretch but have doubled down on having some good analog signal paths for my space and in this excitement I’m using all of it more.
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04-18-2023, 03:30 PM
(This post was last modified: 04-18-2023, 04:05 PM by fulcrum.)
My rack synths and outboard FX are gathering dust; I do intend to fire them up again someday, once I have a more permanent space.
About the only brick 'n' mortar I'm using these days outside of my controller keyboard is my tabletop Apollo Solo (Heritage Edition). It allegedly has a 610A and a 610B built in if you count the accompanying plug-ins interacting with the internal electronics via UAD Fucking Magic™. Now what I need is a better LDC.
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Everything itb here - except for preamps, monitor controller, a compressor / fx for monitoring vocals whilst recording and a quack.
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Dolly made her living off her rack!
Sorry ?
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Don't be. If she can joke about it, so can you.